{"id":1727,"date":"2019-09-06T20:44:30","date_gmt":"2019-09-06T18:44:30","guid":{"rendered":"https:\/\/retreat.hardkon.pl\/2021\/?p=1727"},"modified":"2019-09-06T20:44:31","modified_gmt":"2019-09-06T18:44:31","slug":"notatki-z-ucieczki-sroda-2","status":"publish","type":"post","link":"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/","title":{"rendered":"Notatki z ucieczki \u2013 \u015broda"},"content":{"rendered":"\n

\u015aro\u00adda, 4 wrze\u015bnia<\/p>\n\n\n\n

Kocha\u00adny dzien\u00adni\u00adku!\nWeszli\u00ad\u015bmy ju\u017c w rytm, usta\u00adbi\u00adli\u00adzo\u00adwa\u00ad\u0142a si\u0119 pogo\u00adda za oknem,\noswo\u00adili\u00ad\u015bmy now\u0105 baz\u0119 na Ala\u00adsce (tym razem zaadap\u00adto\u00adwa\u00adli\u00ad\u015bmy sobie\npod\u00adda\u00adsze U Eda<\/em>). W por\u00f3w\u00adna\u00adniu\ndo ubie\u00adg\u0142ych bar\u00addziej czu\u00adje si\u0119 kli\u00admat arty\u00adstycz\u00adnej kolo\u00adnii \u2013\nmo\u017ce dla\u00adte\u00adgo, \u017ce tym razem sk\u0142ad uciecz\u00adki jest sta\u00ad\u0142y. Nikt nas\nnie opusz\u00adcza wcze\u00ad\u015bniej, nikt nie dotar\u0142 p\u00f3\u017aniej.<\/p>\n\n\n\n

Pierw\u00adsza\nz poran\u00adnych pre\u00adlek\u00adcji to ostat\u00adni wyk\u0142ad z serii<\/p>\n\n\n\n

Fundamenty: Mechaniki i Metatechniki<\/em><\/h2>\n\n\n\n

\nPo raz kolej\u00adny pod\u00adsta\u00adw\u0105 do pre\u00adzen\u00adta\u00adcji by\u0142y\narty\u00adku\u00ad\u0142y z ksi\u0105\u017c\u00adki Larp Design:\nCre\u00adating Role-play Expe\u00adrien\u00adces. <\/em>Auto\u00adrzy\nw\/w publi\u00adka\u00adcji suge\u00adru\u00adj\u0105, bo przed roz\u00adpo\u00adcz\u0119\u00adciem pro\u00adjek\u00adto\u00adwa\u00adnia\nmecha\u00adnik gry zada\u0107 sobie\ntrzy pod\u00adsta\u00adwo\u00adwe pytania:<\/p>\n\n\n\n

  1. \n\n\tJakie\u00adgo rodza\u00adju do\u015bwiad\u00adcze\u00adnie maj\u0105 otrzy\u00adma\u0107\n\tgra\u00adcze w moim larpie? <\/li>
  2. \n\n\tJakie\u00adgo rodza\u00adju tre\u00ad\u015bci mecha\u00adni\u00adka ma wspiera\u0107? <\/li>
  3. \n\n\tJakich roz\u00adwi\u0105\u00adza\u0144 potrze\u00adbu\u00adje moja gra, by\n\tdzia\u00ad\u0142a\u00ad\u0142a sprawnie? <\/li><\/ol>\n\n\n\n

    \nGdy ju\u017c wyda\u00adje si\u0119 nam, \u017ce zna\u00admy odpo\u00adwie\u00addzi na\npowy\u017c\u00adsze pyta\u00adnia, dobrze spraw\u00addzi\u0107 czy nie pomi\u00adn\u0119\u00adli\u00ad\u015bmy \u017cad\u00adne\u00adgo z\nobsza\u00adr\u00f3w, w kt\u00f3\u00adrych spo\u00adty\u00adka\u00admy mecha\u00adni\u00adki gry. Te obsza\u00adry to:<\/p>\n\n\n\n

    • \n\n\tTELEGRAPHING<\/span>. Na pol\u00adski mo\u017c\u00adna ten obszar\n\tokre\u00ad\u015bli\u0107 jako SYGNALIZOWANIE<\/span> \u2013 i jest z nim pewien pro\u00adblem,\n\tponie\u00adwa\u017c roz\u00adwi\u0105\u00adza\u00adnia sto\u00adso\u00adwa\u00adne do tele\u00adgra\u00adphin\u00adgu bar\u00addzo cz\u0119\u00adsto\n\tdoty\u00adcz\u0105 innych obsza\u00adr\u00f3w \u2013 np. bez\u00adpie\u00adcze\u0144\u00adstwa czy kali\u00adbra\u00adcji.\n\tSygna\u00adli\u00adzo\u00adwa\u00adnie to swe\u00adgo rodza\u00adju kod, kt\u00f3\u00adrym szyb\u00adko mo\u017ce\u00admy nada\u0107\n\tkon\u00adkret\u00adne sygna\u00ad\u0142y. Sza\u00adra wst\u0105\u017c\u00adka we w\u0142o\u00adsach ozna\u00adcza oso\u00adb\u0119 w\n\tpode\u00adsz\u0142ym wie\u00adku; u\u017cy\u00adcie s\u0142o\u00adwa \u201ejele\u0144\u201d w kon\u00adkur\u00adsie poet\u00f3w\n\tsuge\u00adru\u00adje nisk\u0105 jako\u015b\u0107 wier\u00adsza; zie\u00adlo\u00adna naklej\u00adka na przed\u00admio\u00adcie\n\twska\u00adzu\u00adje na jego magicz\u00adny cha\u00adrak\u00adter \u2013 to tyl\u00adko kil\u00adka przy\u00adk\u0142a\u00add\u00f3w\n\ttele\u00adgra\u00adphin\u00adgu. Bar\u00addzo pole\u00adca\u00admy jego stosowanie. <\/li>
    • \n\n\tBEZPIECZE\u0143STWO<\/span>. Tutaj miesz\u00adcz\u0105 si\u0119 zar\u00f3w\u00adno\n\tpopu\u00adlar\u00adne s\u0142o\u00adwa bez\u00adpie\u00adcze\u0144\u00adstwa, jak te\u017c wszyst\u00adkie roz\u00adwi\u0105\u00adza\u00adnia\n\tzwi\u0105\u00adza\u00adne z kali\u00adbra\u00adcj\u0105 do\u015bwiad\u00adcze\u00adnia (np. akcep\u00adto\u00adwa\u00adny zakres\n\tkon\u00adtak\u00adtu fizycz\u00adne\u00adgo) a tak\u00ad\u017ce\n\troz\u00adwi\u0105\u00adza\u00adnia pozwa\u00adla\u00adj\u0105\u00adce p\u0142yn\u00adnie opu\u00ad\u015bci\u0107 nie\u00adkom\u00adfor\u00adto\u00adw\u0105 sce\u00adn\u0105\n\tlub nawet sam\u0105 gr\u0119\n\t(OPT-IN<\/span>, OPT-OUT<\/span>). <\/li>
    • \n\n\tNEGOCJACJE<\/span>\u2026 Czy\u00adli wszyst\u00adkie roz\u00adwi\u0105\u00adza\u00adnia maj\u0105\u00adce\n\tna celu umo\u017c\u00adli\u00adwie\u00adnie gra\u00adczom uzgod\u00adnie\u00adnia tre\u00ad\u015bci obec\u00adnych w grze\n\t(np. mecha\u00adni\u00adka SaidIs\u00adSet <\/em>czy\u00adli\n\tna nasze CoPo\u00adwie\u00addzia\u00adne\u00adWe\u00adsz\u0142o<\/em>).\n\tDoty\u00adczy to r\u00f3w\u00adnie\u017c sygna\u00adli\u00adzo\u00adwa\u00adnia goto\u00adwo\u00ad\u015bci \/ ocho\u00adty na kon\u00adkret\u00adne\n\tsce\u00adny (np. wal\u00adki, sek\u00adsu, bli\u00adsko\u00ad\u015bci itp.). <\/li>
    • \n\n\tSTEERING<\/span>. S\u0142o\u00adwo to \u2013 ozna\u00adcza\u00adj\u0105\u00adce \u015bwia\u00addo\u00adme\n\tkie\u00adro\u00adwa\u00adnie posta\u00adci gra\u00adcza w stro\u00adn\u0119 kon\u00adkret\u00adnych do\u015bwiad\u00adcze\u0144 w grze\n\t\u2013 w ostat\u00adnich latach zro\u00adbi\u00ad\u0142o zawrot\u00adn\u0105 karie\u00adr\u0119, zw\u0142asz\u00adcza na\n\tsce\u00adnie nor\u00addyc\u00adkiej. Nie wszy\u00adscy s\u0105 jego entu\u00adzja\u00adsta\u00admi, jed\u00adnak coraz\n\tlicz\u00adniej\u00adsze gro\u00adno lar\u00adpow\u00adc\u00f3w decy\u00addu\u00adje si\u0119 (przy\u00adnaj\u00admniej od cza\u00adsu do\n\tcza\u00adsu) na pro\u00adwa\u00addze\u00adnie gry w\u0142a\u00ad\u015bnie w ten spo\u00ads\u00f3b. Coraz cz\u0119\u00ad\u015bciej\n\tte\u017c poja\u00adwia\u00adj\u0105 si\u0119 gry, kt\u00f3\u00adre ste\u00adering wspie\u00adra\u00adj\u0105 \u2013 np. przez\n\tcz\u0119\u00ad\u015bcio\u00adw\u0105 trans\u00adpa\u00adrent\u00adno\u015b\u0107 designu. <\/li>
    • \n\n\tKONTROLA<\/span>. Ten obszar to z kolei kr\u00f3\u00adle\u00adstwo\n\tfre\u00adefor\u00adm\u00f3w i jeep\u00adfor\u00adm\u00f3w \u2011czy\u00adli takich gier, kt\u00f3\u00adrych regu\u00ad\u0142y\n\tnaj\u00adcz\u0119\u00ad\u015bciej dopusz\u00adcza\u00adj\u0105 mecha\u00adnicz\u00adny wp\u0142yw na posta\u0107 dane\u00adgo\n\tgra\u00adcza np. poprzez zatrzy\u00adma\u00adnie akcji i wyg\u0142o\u00adsze\u00adnie mono\u00adlo\u00adgu jako\n\tinna posta\u0107 obec\u00adna w grze. <\/li>
    • \n\n\tREALIZM<\/span>. Ostat\u00adni b\u0119d\u0105 pierw\u00adszy\u00admi, chcia\u00ad\u0142o\u00adby\n\tsi\u0119 rzec. Co oczy\u00adwi\u00adste, mecha\u00adni\u00adki i meta\u00adtech\u00adni\u00adki poja\u00adwia\u00adj\u0105 si\u0119\n\tte\u017c wsz\u0119\u00addzie tam, gdzie symu\u00adlu\u00adje\u00admy rze\u00adczy\u00adwi\u00adsto\u015b\u0107 lub u\u017cy\u00adwa\u00admy\n\tmeta\u00adfor i sub\u00adsty\u00adtu\u00adt\u00f3w do jaki\u015b jej frag\u00admen\u00adt\u00f3w. Roz\u00adwi\u0105\u00adza\u00adnia tego\n\tobsza\u00adru t\u0142u\u00adma\u00adcz\u0105 wi\u0119c co jest czym \u2013 w \u015bwie\u00adcie i w grze. <\/li>
    • \n\n\tKONFLIKT<\/span>. Strza\u0142, cio\u00adsy, obra\u00ad\u017ce\u00adnia. Papier,\n\tno\u017cy\u00adce, kamie\u0144, kost\u00adki, kar\u00adty, kapi\u00adszo\u00adny \u2013 czy\u00adli ca\u0142y wachlarz\n\ttech\u00adnik, kt\u00f3\u00adre s\u0142u\u00ad\u017c\u0105 do si\u0142o\u00adwe\u00adgo roz\u00adwi\u0105\u00adzy\u00adwa\u00adnia nie\u00adja\u00adsno\u00ad\u015bci i\n\todmien\u00adnych punk\u00adt\u00f3w widze\u00adnia. Tutaj war\u00adto\n\twymie\u00adni\u0107 5 pod\u00adsta\u00adwo\u00adwych grup mecha\u00adnik, kt\u00f3\u00adre opi\u00adsu\u00adj\u0105 wynik\n\tstarcia: 
      • \n\n\t\tlooser\u2019s cho\u00adice<\/em>,\n\t\tgdzie o skut\u00adkach decy\u00addu\u00adje przegrany; <\/li>
      • \n\n\t\tcon\u00adsen\u00adsus<\/em>, gdy\n\t\tgra\u00adcze zaan\u00adga\u00ad\u017co\u00adwa\u00adni w kon\u00adflikt wsp\u00f3l\u00adnie decy\u00addu\u00adj\u0105 o jego efek\u00adcie\n\t\t(np. w tro\u00adsce o jak naj\u00adbar\u00addziej dra\u00adma\u00adtycz\u00adny efekt fabularny); <\/li>
      • \n\n\t\tskill-based<\/em>,\n\t\tzale\u017c\u00adny od umie\u00adj\u0119t\u00adno\u00ad\u015bci posia\u00adda\u00adnych przez gra\u00adcza, a nie przez\n\t\tposta\u0107; <\/li>
      • \n\n\t\tcharacter-based<\/em>,\n\t\tzale\u017c\u00adny od umie\u00adj\u0119t\u00adno\u00ad\u015bci posia\u00adda\u00adnych przez posta\u0107, a nie przez\n\t\tgracza; <\/li>
      • \n\n\t\tchance-based<\/em>,\n\t\tzale\u017c\u00adny od kom\u00adpo\u00adnen\u00adt\u00f3w losowych; <\/li>
      • \n\n\t\tmixed<\/em> \u2013 np.\n\t\tskill based<\/em>\n\t\tmody\u00adfi\u00adko\u00adwa\u00adny przez czyn\u00adnik loso\u00adwy lub sta\u00adty\u00adsty\u00adki postaci. <\/li><\/ul>\n\t<\/li>
      • \n\n\tKONTROLA<\/span> INTERAKCJI<\/span>. To gru\u00adpa pot\u0119\u017c\u00adnych, chy\u00adba\n\tzbyt rzad\u00adko u\u017cy\u00adwa\u00adnych narz\u0119\u00addzi. Lar\u00adpy, kt\u00f3\u00adre wyko\u00adrzy\u00adstu\u00adj\u0105 to\n\tdobrze zazwy\u00adczaj odbi\u00adja\u00adj\u0105 si\u0119 g\u0142o\u00ad\u015bnym echem w lar\u00adpo\u00adwym \u015bwie\u00adcie.\n\tMecha\u00adni\u00adki tego obsza\u00adru regu\u00adlu\u00adj\u0105 to, w jaki spo\u00ads\u00f3b w trak\u00adcie gry\n\t(lub jej frag\u00admen\u00adt\u00f3w) gra\u00adcze wcho\u00addz\u0105 ze sob\u0105 we wza\u00adjem\u00adne\n\tinte\u00adrak\u00adcje. Naj\u00adle\u00adpiej wyt\u0142u\u00adma\u00adczy\u0107 to na przy\u00adk\u0142a\u00addach. Insi\u00adde\n\tHam\u00adlet \u2013 <\/em>podzie\u00adlo\u00adny na trzy akty\n\tlarp zezwa\u00adla\u0142 gra\u00adczom na posia\u00adda\u00adnie bro\u00adni w akcie I, wyci\u0105\u00adga\u00adnie\n\tjej i mie\u00adrze\u00adnie do innych posta\u00adci w akcie II<\/span>, odda\u00adwa\u00adnie strza\u00ad\u0142\u00f3w w\n\takcie III<\/span>. Elek\u00adtrycz\u00adne owce \u2013<\/em>\n\tgra\u00adcze w roli andro\u00adid\u00f3w odgry\u00adwa\u00adli sce\u00adny testo\u00adwe gdy \u015bwia\u00adt\u0142o w\n\tsali by\u0142o nie\u00adbie\u00adskie, poru\u00adsza\u00adli si\u0119 dowol\u00adnie przy \u015bwie\u00adtle\n\tzie\u00adlo\u00adnym i \u201epar\u00adko\u00adwa\u00adli\u201d nie\u00adru\u00adcho\u00admo w swo\u00adich \u2018sta\u00adcjach\n\tdoku\u00adj\u0105\u00adcych\u201d gdy bar\u00adwa zmie\u00adnia\u00ad\u0142a si\u0119\n\tna czerwon\u0105. <\/li><\/ul>\n\n\n\n

        Pre\u00adlek\u00adcja z gatun\u00adku porz\u0105d\u00adku\u00adj\u0105\u00adcych, a jed\u00adno\u00adcze\u00ad\u015bnie do\u015b\u0107 inspi\u00adru\u00adj\u0105\u00adcych. Naj\u00adwi\u0119\u00adcej cza\u00adsu sp\u0119\u00addzi\u00adli\u00ad\u015bmy dys\u00adku\u00adtu\u00adj\u0105c po jej zako\u0144\u00adcze\u00adniu o tele\u00adgra\u00adphin\u00adgu i uda\u00adnych przy\u00adk\u0142a\u00addach jego zastosowania.<\/p>\n\n\n\n

        Sound design w\nlarpach<\/em><\/h2>\n\n\n\n

        Nasze\nlar\u00adpy coraz cz\u0119\u00ad\u015bciej ozda\u00adbia\u00admy d\u017awi\u0119\u00adkiem. To efek\u00adtow\u00adna i\nefek\u00adtyw\u00adna cz\u0119\u015b\u0107 sce\u00adno\u00adgra\u00adfii. Pro\u00adste, mini\u00adma\u00adli\u00adstycz\u00adne wn\u0119\u00adtrze\nozdo\u00adbio\u00adne pre\u00adcy\u00adzyj\u00adnie dobra\u00adn\u0105 \u015bcie\u017c\u00adk\u0105 d\u017awi\u0119\u00adko\u00adw\u0105 potra\u00adfi\n\u201ezro\u00adbi\u0107\u201d znacz\u00adn\u0105 cze\u015b\u0107 efek\u00adtu gry. Nie\u00adste\u00adty, bar\u00addzo cz\u0119\u00adsto\nrobi\u00admy taki pro\u00adjekt pobie\u017c\u00adnie nie bio\u00adr\u0105c pod uwa\u00adg\u0119 tego, jak\ndzia\u00ad\u0142a\u00adj\u0105 nie tyl\u00adko nasze uszy \u2013 ale przede wszyst\u00adkim m\u00f3zg.<\/p>\n\n\n\n

        Ten\nnaj\u00adbar\u00addziej wyj\u0105t\u00adko\u00adwy z wyj\u0105t\u00adko\u00adwych orga\u00adn\u00f3w potra\u00adfi bar\u00addzo\npre\u00adcy\u00adzyj\u00adnie oceni\u0107<\/p>\n\n\n\n

        • \n\n\tkierunek; <\/li>
        • \n\n\tdystans; <\/li>
        • \n\n\tg\u0142o\u015bno\u015b\u0107; <\/li>
        • \n\n\twysoko\u015b\u0107; <\/li>
        • \n\n\tnastr\u00f3j; <\/li>
        • \n\n\twa\u017c\u00adno\u015b\u0107 d\u017awi\u0119ku. <\/li><\/ul>\n\n\n\n

          Co\nto ozna\u00adcza? To, \u017ce fil\u00adtru\u00adje odg\u0142o\u00adsy, kt\u00f3\u00adre uwa\u00ad\u017ca za nie\u00adpo\u00adtrzeb\u00adne,\na wzmac\u00adnia te istot\u00adne. I jest bar\u00addzo zde\u00adcy\u00addo\u00adwa\u00adny w tym co robi (a\nrobi to na pozio\u00admie poza\u015bwiadomym).<\/p>\n\n\n\n

          Wzmoc\u00adnie\u00adnie\nnie powin\u00adno nas mar\u00adtwi\u0107. W lar\u00adpach nader cz\u0119\u00adsto zacho\u00addzi tzw.\ncoc\u00adta\u00adil par\u00adty effect \u2013<\/em> czy\u00adli sytu\u00adacja, w kt\u00f3\u00adrej jeste\u00ad\u015bmy w\nsta\u00adnie w har\u00admi\u00addrze przy\u00adpad\u00adko\u00adwych roz\u00adm\u00f3w wy\u0142o\u00adwi\u0107 w\u0142a\u00adsne imi\u0119\nrzu\u00adco\u00adne w dru\u00adgim k\u0105cie sali. Jeste\u00ad\u015bmy te\u017c wra\u017c\u00adli\u00adwi na kon\u00adkret\u00adne\nd\u017awi\u0119\u00adki: t\u0142u\u00adczo\u00adne szk\u0142o, klak\u00adson, dzwo\u00adnek tele\u00adfo\u00adnu przy\u00adku\u00adj\u0105\nnasz\u0105 uwa\u00adg\u0119 bar\u00addziej ni\u017c stuk sztu\u0107\u00adc\u00f3w o talerz czy szmer\nwycie\u00adra\u00adnych but\u00f3w. Gorzej ma si\u0119 sytu\u00adacja z fil\u00adtro\u00adwa\u00adniem: cz\u0119\u00adsto\nzda\u00adrza si\u0119, \u017ce bar\u00addzo natu\u00adral\u00adnie brzmi\u0105\u00adcy sound\u00adtrack jest przez\ngra\u00adczy ca\u0142\u00adko\u00adwi\u00adcie ignorowany. <\/p>\n\n\n\n

          Jak\nwi\u0119c my\u015ble\u0107 o pro\u00adjek\u00adto\u00adwa\u00adniu t\u0142a do gry? Pomoc\u00adnym narz\u0119\u00addziem mo\u017ce\noka\u00adza\u0107 si\u0119 arty\u00adku\u0142, kt\u00f3\u00adry napi\u00adsa\u00adli Anni Tolva\u00adnen wraz z Iret\u00adte\nMela\u00adko\u00adski (tak, r\u00f3w\u00adnie\u017c opu\u00adbli\u00adko\u00adwa\u00adny w Larp Design<\/em>). Ich\ntekst zawie\u00adra narz\u0119\u00addzie, kt\u00f3\u00adre nazwa\u00adli Mixing Desk of Sound\nDesign for Larp. <\/em>To uk\u0142ad wir\u00adtu\u00adal\u00adnych suwa\u00adk\u00f3w, kt\u00f3\u00adry\nusta\u00adwie\u00adnie powin\u00adni\u00ad\u015bmy usta\u00adli\u0107 przy\u00adst\u0119\u00adpu\u00adj\u0105c do kom\u00adple\u00adto\u00adwa\u00adnia\n\u015bcie\u017c\u00adki d\u017awi\u0119\u00adko\u00adwej, wybo\u00adru miej\u00adsca gry oraz kon\u00adkret\u00adnych scen.\nSuwa\u00adki opi\u00adsu\u00adj\u0105 nast\u0119\u00adpu\u00adj\u0105\u00adce warto\u015bci:<\/p>\n\n\n\n

          • \n\n\tTECHNIKA<\/span>: d\u017awi\u0119\u00adki natu\u00adral\u00adne vs wzmocnione; <\/li>
          • \n\n\tODWZOROWANIE<\/span>: 360\u00b0\n\tvs symbolizm; <\/li>
          • \n\n\tMIEJSCE<\/span> W NARRACJI<\/span>: die\u00adge\u00adtycz\u00adne\n\tvs niediegetyczne; <\/li>
          • \n\n\tREAKCJA<\/span> GRACZA<\/span>: gracz reagu\u00adje na\n\td\u017awi\u0119k vs brak reakcji; <\/li>
          • \n\n\tINTERAKCJA<\/span> GRACZA<\/span>: gracz\n\twsp\u00f3\u0142\u00adtwo\u00adrzy d\u017awi\u0119\u00adki vs odbie\u00adra d\u017awi\u0119kiem <\/li><\/ul>\n\n\n\n

            War\u00adto\npomy\u00ad\u015ble\u0107 o tym, jak wyobra\u00ad\u017ca\u00admy sobie d\u017awi\u0119\u00adko\u00adwe \u015bro\u00addo\u00adwi\u00adsko\nnasze\u00adgo lar\u00adpu. Je\u015bli\nchce\u00admy u\u017cy\u0107 kon\u00adkret\u00adnych utwo\u00adr\u00f3w, r\u00f3w\u00adnie\u017c je mo\u017c\u00adna \u201eopi\u00adsa\u0107\u201d\nsuwa\u00adka\u00admi. Melo\u00addia mo\u017ce by\u0107:<\/p>\n\n\n\n

            • \n\n\tprzy\u00adjem\u00adna lub nieprzyjemna; <\/li>
            • \n\n\tspo\u00adkoj\u00adna lub stymuluj\u0105ca; <\/li>
            • \n\n\trelak\u00adsu\u00adj\u0105\u00adca lub pe\u0142\u00adna\n\tnapi\u0119cia; <\/li>
            • \n\n\tsuge\u00adru\u00adj\u0105\u00adce bez\u00adpie\u00adcze\u0144\u00adstwo lub\n\tzagro\u017cenie. <\/li><\/ul>\n\n\n\n

              Auto\u00adrzy\ntego roz\u00addzia\u00ad\u0142u suge\u00adru\u00adj\u0105, by o kon\u00adkret\u00adnych utwo\u00adrach my\u015ble\u0107 w\u0142a\u00ad\u015bnie\nw tych kate\u00adgo\u00adriach. Czy muzy\u00adka \u201eweso\u00ad\u0142a\u201d nie jest po pro\u00adstu\nprzy\u00adjem\u00adna, bez\u00adpiecz\u00adna i sty\u00admu\u00adlu\u00adj\u0105\u00adca? Je\u015bli tak, to czy nast\u0119p\u00adny\nutw\u00f3r, zamiast \u201egro\u017a\u00adny\u201d nie b\u0119dzie zatem sty\u00admu\u00adlu\u00adj\u0105\u00adcy i\nnio\u00ads\u0105\u00adcy poczu\u00adcie zagro\u00ad\u017ce\u00adnia? Pomys\u0142 by tak w\u0142a\u00ad\u015bnie opi\u00adsy\u00adwa\u0107\nmelo\u00addie zgod\u00adnie przy\u00adpad\u0142 nam do gustu.<\/p>\n\n\n\n

              Debata: Chc\u0119 si\u0119 ba\u0107<\/em><\/h2>\n\n\n\n

              Oj\ndzia\u00ad\u0142o si\u0119! Prze\u00adszli\u00ad\u015bmy przez poko\u00adje uciecz\u00adki, domy stra\u00adch\u00f3w,\nkla\u00adsy\u00adk\u0119 fil\u00admu i lite\u00adra\u00adtu\u00adry a na koniec r\u00f3w\u00adnie\u017c psy\u00adcho\u00adlo\u00adgi\u0119.\nRoz\u00addzie\u00adli\u00adli\u00ad\u015bmy strach od l\u0119ku. Strach \u2013 czy\u00adli jed\u00adno z uczu\u0107\npier\u00adwot\u00adnych, jak po\u017c\u0105\u00adda\u00adnie, g\u0142\u00f3d, gniew. Reak\u00adcj\u0105 na praw\u00addzi\u00adwy\nstrach mo\u017ce by\u0107 para\u00adli\u017c, uciecz\u00adka lub obro\u00adna. W przy\u00adpad\u00adku tej\nostat\u00adniej \u2013 czy jako tw\u00f3r\u00adcy jeste\u00ad\u015bmy goto\u00adwi na NAPRAWD\u0118<\/span>\nprze\u00adstra\u00adszo\u00adnych gra\u00adczy? Czy chce\u00admy robi\u0107 takie gry (Pio\u00adtrek\nzade\u00adkla\u00adro\u00adwa\u0142, \u017ce on na pew\u00adno nie)? Potem by\u0142o tro\u00adch\u0119 lepiej \u2013\ndoszli\u00ad\u015bmy do wnio\u00adsku, \u017ce dobry hor\u00adror to r\u00f3w\u00adnie\u017c dobra histo\u00adria \u2013\nznaj\u00addu\u00adje\u00admy prze\u00adcie\u017c przy\u00adjem\u00adno\u015b\u0107 w lek\u00adtu\u00adrze dobre\u00adgo hor\u00adro\u00adru nie\nboj\u0105c si\u0119 przy tym wca\u00adle. Kon\u00adklu\u00adzja nasze deba\u00adty by\u0142a nast\u0119\u00adpu\u00adj\u0105\u00adca.\nOddziel\u00admy strach od l\u0119k\u00f3w oraz strach gra\u00adcza od stra\u00adchu posta\u00adci. I\nwte\u00addy zabierz\u00admy si\u0119 za pro\u00adjekt na powa\u017cnie.<\/p>\n\n\n\n

              Sesja kreatywna:\nKalendarz Maj\u00f3w<\/em><\/h2>\n\n\n\n

              Pod\u00adczas\ntej sesji kre\u00adatyw\u00adnej loso\u00adwa\u00adli\u00ad\u015bmy dni tygo\u00addnia, mie\u00adsi\u0105\u00adce, pory roku.\nDzi\u015b kre\u00adatyw\u00adno\u015b\u0107 wr\u00f3\u00adci\u00ad\u0142a z ca\u0142\u0105 moc\u0105. Pra\u00adco\u00adwa\u00ad\u0142o nam si\u0119\ndobrze i efek\u00adtyw\u00adnie \u2013 mo\u017ce dla\u00adte\u00adgo, \u017ce zacz\u0119\u00adli\u00ad\u015bmy wcze\u00ad\u015bniej.\nDali\u00ad\u015bmy sobie obszer\u00adny feed\u00adback do wszyst\u00adkich pro\u00adjek\u00adt\u00f3w i zn\u00f3w, to\nsamo wra\u017cenie\u2026<\/p>\n\n\n\n

              Trzy\u00admam\nkciu\u00adki, \u017ceby te gry powsta\u0142y. <\/p>\n\n\n\n

              Chc\u0119\nw nie gra\u0107.<\/p>\n","protected":false},"excerpt":{"rendered":"

              D\u017awi\u0119k w lar\u00adpach, mecha\u00adni\u00adki i meta\u00adtech\u00adni\u00adki a do tego deba\u00adta \u017ce a\u017c strach. Dobry dzie\u0144 zako\u0144\u00adczo\u00adny lar\u00adpo\u00adwym kalendarzem \ud83d\ude42<\/p>\n","protected":false},"author":2,"featured_media":1728,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"wp_typography_post_enhancements_disabled":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[17,189,190,188],"class_list":["post-1727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bez-kategorii","tag-larp","tag-mechaniki","tag-metatechniki","tag-sound-design"],"yoast_head":"\nNotatki z ucieczki - \u015broda - Hardkon - 2021 Larpers' Retreat<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Notatki z ucieczki - \u015broda - Hardkon - 2021 Larpers' Retreat\" \/>\n<meta property=\"og:description\" content=\"D\u017awi\u0119k w larpach, mechaniki i metatechniki a do tego debata \u017ce a\u017c strach. Dobry dzie\u0144 zako\u0144czony larpowym kalendarzem :)\" \/>\n<meta property=\"og:url\" content=\"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/\" \/>\n<meta property=\"og:site_name\" content=\"Hardkon - 2021 Larpers' Retreat\" \/>\n<meta property=\"article:published_time\" content=\"2019-09-06T18:44:30+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-09-06T18:44:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/i0.wp.com\/retreat.hardkon.pl\/2021\/wp-content\/uploads\/sites\/10\/2019\/09\/notatki-z-ucieczki-4-wrze\u015bnia-2019.jpg?fit=800%2C600&ssl=1\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Piotr Milewski\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Napisane przez\" \/>\n\t<meta name=\"twitter:data1\" content=\"Piotr Milewski\" \/>\n\t<meta name=\"twitter:label2\" content=\"Szacowany czas czytania\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minut\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/\"},\"author\":{\"name\":\"Piotr Milewski\",\"@id\":\"https:\/\/retreat.hardkon.pl\/2021\/#\/schema\/person\/fb601a2c3a7b2e26436b81f350676413\"},\"headline\":\"Notatki z ucieczki \u2013 \u015broda\",\"datePublished\":\"2019-09-06T18:44:30+00:00\",\"dateModified\":\"2019-09-06T18:44:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/\"},\"wordCount\":1489,\"publisher\":{\"@id\":\"https:\/\/retreat.hardkon.pl\/2021\/#organization\"},\"image\":{\"@id\":\"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/retreat.hardkon.pl\/2021\/wp-content\/uploads\/sites\/10\/2019\/09\/notatki-z-ucieczki-4-wrze\u015bnia-2019.jpg\",\"keywords\":[\"larp\",\"mechaniki\",\"metatechniki\",\"sound design\"],\"inLanguage\":\"pl-PL\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/\",\"url\":\"https:\/\/retreat.hardkon.pl\/2021\/notatki-z-ucieczki-sroda-2\/\",\"name\":\"Notatki z ucieczki - 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